“Remember Writers You Have Read …” Laura Lee Bahr’s Article for the The Kerouac Project, March 2022

Remembering writers you haven’t read and

          And why Beat generation women still rock

“‘There were women, they were there, I knew them, their families put them in institutions, they were given electric shock. In the 50’s, if you were male, you could be a rebel, but if you were female, your families had you locked up…I knew them. Someday someone will write about them.’”

(Stephen Scobie, quoting Gregory Corso, who was responding to question why there were so few women on the program celebrating Beat writers, 1994)*

The blessed sense of sheer fortune that I had of being a writer in residence in the Kerouac House—I still dream of my feet on those floors, and recall on the edge of waking what it was to open my eyes there—was tethered to a vague sense of obligation to Kerouac’s productivity. I felt I just had to write as much as I could as fast as I could—true to my own voice and whatever being there could inspire in terms of my own feverish pitch, tone, and volume.

But as I stayed there, I had a creeping sense of his shuffling ghost—not haunting the place but haunting me with his words, his regrets, and his horrors, from his DTs in Big Sur to the will-never-leave-me image of his father crying—The Vanity of Duluoz—as he flushed a nest of baby mice he had found in the apartment down the toilet. And as he was the mascot of my residency, and as I was (and am) a woman who believes spirits, ghosts, and the curative power of the word, I wanted to find some ritual of release for him from the traps of his time, a lack of vision, a tone-deafness to the voices of the women around him. 

Read the full piece on The Kerouac Project site.


“3 Teachable Moments” Featured in Ghost Parachute

It makes a difference…

Miss Adams is attending a teacher’s conference. The mascot of the conference is the starfish. The individual sessions are modeling how to integrate a theme across disciplines. The starfish is the mascot because of that allegory about the man throwing beached starfish back into the water who would otherwise die. There are like… millions of beached, dying starfish so it is a pointless pursuit, which a bystander points out. “You can’t save them all,” the bystander says. “So what difference does it make?”

The man throws a starfish into the water saying, “It makes a difference to that one.”

Earnest—mostly white, mostly female—faces nodding. They are all starfish savers, making a difference to that one.

Miss Adams usually tears up at metaphors like this, and this is no exception.

But the science model-lesson, where they are dissecting starfish, makes her feel extremely uncomfortable. 

Read the full story here.


Brett J Barr is an artist/ tattooist, born in Easton Pennsylvania. He grew up in Daytona Beach, moved to Orlando FL in 1997 and now resides in Chuluota, FL. Aside from tattooing at Built 4 Speed Tattoo in Orlando, Brett enjoys many different art forms such as graphite, charcoal, paint, pen and ink, mixed media/ graphic design, woodworking miniatures and studies classical guitar.

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